10 Cloverfield Lane

Film Review 10 Cloverfield Lane
This image released by Paramount Pictures shows Mary Elizabeth Winstead in a scene from “10 Cloverfield Lane.” (Michele K. Short/Paramount Pictures via AP)

By Robert Berroa

10 Cloverflield Lane, directed by Dan Trachtenberg is the successor to Matt Reeves’s 2008 film, Cloverfield, is thrilling, suspenseful, and entertaining movie. The film’s genre transitioned multiple times from suspense, to horror, and eventually settled into a sci-fi, or a mystery & suspense drama. The film follows in a third-person narrative a young woman who is held in an underground bunker with two men, one of whom insists that a catastrophic event resulted in the surface of the Earth to become uninhabitable.

The film begins by depicting the protagonist, Michelle (Mary Elizabeth Winstead), in a bedroom, packing her luggage hysterically. While Michelle is packing her luggage, the audience learns that she was in the process of leaving her boyfriend, due to an argument they previously had –That is according to Michelle’s boyfriend. The following scene shows Michelle on the road, but then dramatically transitions to show a driver crash onto her car. The man who purposefully crashed onto her car was the antagonist, Howard Stambler (John Goodman); the crash resulted in the slight fracture of Michelle’s leg.

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The next scene depicts Michelle regaining consciousness –She is confused and restrained by handcuffs to the wall of a sparse. The director’s choice of having directional light, and a high contrast, informs the audience that Michelle is in trouble. The high contrast invokes an anxious feeling because it prompts the audience to want to know who, or what kidnapped her. The camera then switches from a close up, to a full shot of Michelle’s body, so we can see her struggling to acquire her phone. The injury Michelle received in the car crash was covered to prevent infection, and further damage; suggesting that she had received some aid for her injury. Once she retrieved, and checked her phone, the camera began to pan until slowly focusing on the door; dramatic music plays to indicate that Howard Stambler is approaching the storage room that Michelle is retrained in, and to indicate that he is dangerous.

Once Howard entered the storage room, the tension was broken. During their exchange, Michelle asked ‘What are you going to do to me,’ Howard responded by saying ‘I am going to save you.’ Howard abruptly leaves, and the track transitioned into an upbeat tempo, which insinuated that Michelle was getting mentally, and physically prepared to confront her kidnapper. The camera also began to alternate into shots rapidly to indicate movement –the rapid movements made the situation exciting.

When Howard entered the room, the camera made fast movements to show their confrontation. Once he restrained her again, he explained to her why she was there. Michelle’s questions were your typical victim, and kidnapper dialogue, but Howard’s dialogue made it palpable that he believed that he saved her; rather than kidnapped. According to Howard, she cannot leave the bomb shelter because ‘everyone outside is dead’ due to toxic gas dropped by the ‘Russians,’ or an ‘alien invasion.’ Since she had no prior knowledge of her alleged attacker, she struggles to trust Howard, given that the rescuer could be mistaken, completely insane, or worst of all –intentionally holding her hostage under a false pretense.

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As the film progressed, the audience discovered that there was another man in the bomb shelter, Emmett (John Gallagher, Jr.), who worked alongside Howard to build the bomb shelter, came to the bomb shelter to escape the catastrophe.

While Emmett, Howard, and Michelle were having dinner, in the dining room of the bomb shelter, Emmett began to converse with Howard, and Michelle in a lightheartedly manner. As he jokes about how they should play Monopoly because they’re going to be in the bomb shelter for a long time, Howard becomes aggravated, and tells him that his jokes are annoying, and disturbing his and Michelle’s peaceful dinner. Howard’s outburst informs the audience about his bipolar mood, thus making him untrustworthy. To depict Howard’s anger, the camera was positioned at a close up angle. Moreover, a suspenseful sequence of dramatic sounds was started to inform the audience that trouble was about to start.

Michelle was plotting to take Howard’s keys, so that she could attempt to escape her current situation. Once the tension between Howard and Emmitt ceased, Michelle began to continue the conversation with Emmett, which she knew Howard disapproved on. Michelle was plotting on taking Howard’s keys. To do so, she slowly caressed Emmett’s hand, and act that infuriated Howard. As Howard relentlessly stood, the tension increased. The increase in tension was accomplished by a close up on both Howard and Michelle’s faces. The angle of the camera made it seem as of Howard was reprimanding his daughter. A close up of her hands reaching for his keys revealed her plan. At the same time, a spontaneous dissonant upbeat beat began to play to let the audience know that they should be wary of what is about to occur. Once she had the keys, she deescalated the situation by complying with his regulations. While she complied, the camera was angled above her head, so his superior physical power could be juxtaposed over her smaller body.

clover4When they sat back down to eat at the table in the dining room, the dim lighting, yet dark contrast of the scene kept the suspenseful and mysterious mood present. The beat was ephemerally gone; the lighting was strong –Michelle stood out because more bright light was pointing in her direction. Rapidly, Michelle grabbed the wine bottle on the table and smashed it on Howard’s head; when he realized that his keys were missing. To intensify the pain that we believe she inflicted onto Howard, the scene that she smashes the bottle on his head doesn’t have any beat or music, but audio of a swift movement to accentuate damage of the strike. Then, the moment the bottle touched his head, a loud audio of glass shattering was played. A second and a half later, the music abruptly came back with an upbeat tempo. The camera focused on Michelle’s running to the inside of the front door, but it also switched back to where Howard, and Emmett were, so that the audience could root for her to escape. The sense of desperation that Michelle felt was created by focusing the camera on her opening the locks of the first door, and by the constant back and forth between Michelle and Howard, so that we could believe that she was running out of time to escape. When confronted by a woman with scars indicating chemical poisoning, Michelle didn’t know what to do. She saw the woman through a glass peep hole while standing inside the hallway connecting the front door, with the second protective door. The light was slightly blue, and the lights were also dim, plus the upbeat beat created a sense of mysterious, and suspenseful curiosity. A mysterious, and suspenseful curiosity created by the eerie beat, and low pitch audio that made the scene appear even more shocking and baffling.

The following scene depicted both Emmett and Michelle having a deep conversation on what their life has become. Emmett reminisces about moments in his life that he took for granted, and Michelle shares how she didn’t truly appreciate the things in her life, until they were taken away. The scene was shot with dim light, and the color of Emmett’s room was blue, while the room that Michelle was in was a soft pink. A soft pink and blue that are meant to be juxtapositions of their characters. The tranquility of the scene was set in order to show how they are both similar characters when it comes to their acceptance of the fact that the world they knew is over.

10clover1A black screen comes up to signalize halfway point of the film. It also allowed for there to be a montage depicting the everyday activities that they will have as time progresses. The clips in the time progression sequence showed them cooking food, making snacks, playing board games, and so on. Essentially, they became a family. The lighting during these sequence of shots is brighter than the others, and there is the song ‘I think we’re alone now’ by Tommy James & The Shondells begins to play. The song is warm, and welcoming, thus describing how their relationship has evolved to a more family like bond. Additionally, the brighter light is an indication that trouble is not near.

After there is problem with the filtration system, Michelle is sent to go through the filtration system because she is the smallest, so she is more easily capable of reaching the other side, so that she would be able to fix it. While in the filtration system, the lighting is dark; the only light present is the light of the flashlight. Low light adds to the claustrophobic effect that the director was aiming towards. Additionally, the eerie soundtrack added to the claustrophobia, and made the audience interested at what was going to occur next. The brief summary of the scene is that Michelle finds a broken earring piece, which belonged to Howard’s ‘daughter,’ Megan, but it turned out that the girl in the photo that Howard said was his daughter was actually a girl who was kidnapped. While Michelle showed Emmett the photo of Megan, and the broken earring piece the camera was at a close up of both their faces. The high contrast of the light on their face, and the serious, yet mysterious soundtrack added to the seriousness of their conversation. From then on, Michelle, and Emmett lost all the trust they had for Howard. Instead, they decided to plot their escape. They would build their own hazmat suits, so that they could leave the bomb shelter that they are forced to be in.

As Michelle and Emmitt gather the materials they need for the Hazmat suits, there is a determinant, and steady beat that lets the audience know that they are planning their escape. There is a montage that depicts Michelle taping, sewing, taking leftover fabric, and basically getting serious about their willpower to persevere.

The following scene depicts Howard talking to Michelle, and Emmett about a corrosive barrel. The purpose of the corrosive material was unknown, but became know once Emmett confesses that he was planning on killing Howard by building a ‘weapon’. A weapon that never existed. The room’s lighting was bright, but it was brighter on Michelle compared to both Howard, and Emmett, so that Michelle stand out. Suddenly, there is a silence, a silence that is seconds later interrupted by a loud gunshot. Michelle couldn’t believe what had occurred, her flabbergasted expression valuable. The close up of her face, directly showed the audience what her character was feeling.

Michelle becomes less trustworthy of Howard. She now knows that she must get the hell out of bomb shelter. After murdering Emmett, Howard shaves, puts on nice clothes and offers ice cream to Michelle. The scene pertained a calm beat, and bright lighting, but that was just to show how eerie and unpredictable Howard can be. In the following scenes, Michelle goes frantic, she takes her hazmat suit, ties it around her hip, and fights her way to freedom. Michelle threw the corrosive acid on Howard, resulting in a fire, a fire will cause an explosion. Throughout their fighting scene there is an exhilarating beat that prepares us for more action. The lighting is kept the same way that is has been since the beginning; there is a contrast, with dim light.

Once Michelle escapes, she is surprised to discover that there are birds flying freely throughout the landscape. The birds assure Michelle that the air isn’t contaminated. By now, the mood is no longer the same. She is no longer confined by the underground bunker, now she is outside, and the world seem to be at peace. The lighting is bright, the grass is green, and the sky is blue. But, that is only ephemeral, the reality is that Howard was right, there was an alien invasion. Soon enough, the mood, and lighting drastically change. The light gets dim once more, and there is eerie music, with an upbeat tempo playing to indicate that she will begin to need to fight again. She did, she ended up fighting with a giant alien ship, and with an alien dog. Since it is an American film, of course she defeated the monster. Well, it gets you thinking who the monster is, Howard or the alien ship? The film ends in darkness, and with a dark and suspenseful soundtrack. Michelle disappears in the darkness to go and help the rest of the survivors. The camera zooms out to show her departure onto the city.

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The Other Side of the Door

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By Randol Corniel

Overview:

After her son’s death in a car accident in India, Maria is deep in the abyss known as depression and is plagued by guilt. During the accident, she chose to save her youngest daughter Lucy from the sinking car and abandoned Oliver as he screamed for her to save him. Six years later and after a failed attempt at suicide Maria is told about a temple where people can speak to the dead one last time by her house keeper Piki. Piki warns Maria that once she meets Oliver no matter what happens she must not open the temple door. Maria meets with Oliver and in a moment of desperation opens the doors freeing Oliver’s spirit to become corrupted and haunt the rest of her family, she must now find a way to appease Oliver and atone for her past mistakes.

Actors & Performance:

otherside5The acting in the movie is alright at best; the actors are not terribly bad but are not superb either. While Maria (played by Sarah Wayne Callies) does a good job at conveying her guilt, desperation, and intense need for son Oliver, the rest of the actors fall short with her husband (portrayed by Jeremy Sisto) and daughter (played by Sofia Rosinsky) being glorified extras. Not all is bad , however since I found that her housekeeper Piki played her role quite well adding to the tension and built of the story while also serving as the wise elder that guides Maria (portrayed by Suchitra Pillai-Malik) and gives her the instructions to resolve the conflict. Another performance that I found enjoyable was that of the various ashen shaman that follow Maria around after she releases Oliver they serve as tension builders and have a number of enjoyable jump scares as well as an interesting backstory. Lastly, I also enjoyed Oliver’s performance, not his psychical manifestation (played by Logan Creran) but of his voice done by Jax Malcolm, I find his voice to be the most disturbing element of the film seeing as it sounds so innocent and youthful while his spirit is doing evil and vile things.

Cinematography:

The cinematography is done well I suppose for the purpose of the movie which is to be a horror film. The movie is set India, with the temple being in the tribe on the outskirts of the city this adds to the voodoo-ish vibe of the whole ritual Maria must partake in, in order to speak with Oliver. The rest is pretty standard ominous music, lots of scenes in darkness or low-light, and horrifying occurrences leading up to the climax where the spirit is finally challenged and appeased or expelled. Overall is very standard and run of the mill.

Color:

There’s not a real emphasis on color in the movie since the lighting is mostly darker for the tension and horror scenes, and natural light for the daylight “normal scenes”.

Editing:

otherside3.jpgThe editing in the film is designed to build the tension in the story, the director does a lot of jump cuts in order to either build up the pace and raise blood pressure or to distract the viewer to set up for a jump scare. This is often shown when Maria is shown with her attention focused elsewhere and the director jump cuts behind her to find that a shaman appeared behind her out of nowhere. The director also uses flashbacks to show what happened with Oliver and to build the story and Maria’s guilt for abandoning her son.

Lighting:

The lighting plays a huge role in the film because most of the “action” takes place in settings with low light to emphasize the dread of the situation. In the temple, the lighting is dark and gets progressively darker as the time to meet Oliver closes in. It’s also dark when Oliver returns to the house and makes Maria read him a book. Every time Oliver is seen interacting with someone or is in the area it is dimly lit or darker emphasizing his corrupted spirit and how he progressively gets more dangerous. Overall, the whole film is dark with rare moments of light when they’re outside or at the beginning of the film before Oliver’s death.

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Music, Sound Effects, & Dialogue:

Music also plays an important role in the movie seeing as they add to the mood of each scene. When Maria reveals that she’s pregnant there’s soft music playing very relaxing, then at the time of Oliver’s death the music was frantic and desperate. At the temple it was ominous and eerie, and anytime Oliver appears the music takes on an eerie childlike lullaby quality.

Personal Opinion:

The movie had a great concept but average execution, it was disappointing.

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